Iconographies of Occupation is the first book to address how the “collaborationist” Reorganized National Government (RNG) in Japanese-occupied China sought to visualize its leader, Wang Jingwei (1883–1944); the Chinese people; and China itself. It explores the ways in which this administration sought to present itself to the people over which it ruled at different points betwee...(展开全部)

Iconographies of Occupation is the first book to address how the “collaborationist” Reorganized National Government (RNG) in Japanese-occupied China sought to visualize its leader, Wang Jingwei (1883–1944); the Chinese people; and China itself. It explores the ways in which this administration sought to present itself to the people over which it ruled at different points betwee...(展开全部)

Eight studies examine key features of Chinese visual and material cultures, ranging from tomb design, metalware, ceramic pillows, and bronze mirrors, to printed illustrations, calligraphic rubbings, colophons, and paintings on Buddhist, landscape, and narrative themes. Questions addressed include how artists and artisans made their works, the ways both popular literature and ma...(展开全部)

The Mongol Century explores the visual world of China's Yuan dynasty (1271-1368), the spectacular but short-lived regime founded by Khubilai Khan, regarded as the pre-eminent khanate of the Mongol empire. This book illuminates the Yuan era - full of conflicts and complex interactions between Mongol power and Chinese heritage - by delving into the visual history of its culture. ...(展开全部)

Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contribut...(展开全部)

柯律格（Craig Clunas） 1954年出生于英国苏格兰阿伯丁，现任英国牛津大学艺术史系讲座教授，曾任伦敦维多利亚与艾伯特博物馆（Victoria & Albert Museum）中国部资深研究员兼策展人15年，并自1994年起先后执教于萨塞克斯大学（University of Sussex）艺术史系及伦敦大学亚非学院（SOAS）。自1991年起陆续出版《长物：早期现代中国的物质文化与社会状况》、《丰饶之地：明代中国的园林文化》、《早期现代中国的图画与视觉性》、《中国艺术》及《雅债：文徵明的社交性艺术》、《大明：明代中国的视觉文化与物质文化》等著作。 译者黄小峰，中央美术学院人文学院副院长、副教授。

"Empire of Great Brightness" is an innovative and accessible history of a high point in Chinese culture, seen through the riches of its images and objects. Not a simple emperor-by-emperor history, it instead introduces the reader to themes that provide stimulating and original points of entry to the culture of China: to ideas of motion and rest; to the position occupied by writ...(展开全部)

"Empire of Great Brightness" is an innovative and accessible history of a high point in Chinese culture, seen through the riches of its images and objects. Not a simple emperor-by-emperor history, it instead introduces the reader to themes that provide stimulating and original points of entry to the culture of China: to ideas of motion and rest; to the position occupied by writ...(展开全部)

刘子健（1919—1993），祖籍贵阳，生于上海，曾就读于清华大学、燕京大学，1948年赴美。20世纪50年代，研究重心转向宋史。1960年，入斯坦福大学任教。1965年，入普林斯顿大学任教。刘子健是美国宋史研究的顶级学者，也是促进国际宋史交流的领袖人物，对突破国家与民族界限的国际性学术合作卓有贡献。主要专著有《中国转向内在：两宋之际的文化转向》《宋代中国的改革：王安石及其新政》《欧阳修的治学与从政》《两宋史研究汇编》等。 译者张钰翰，1983年生，上海人民出版社副编审。

In 1945, when the Red Army marched in, eastern Germany was not occupied but liberated. This, until the collapse of the Soviet Bloc, is what passed for history in the German Democratic Republic. Now, making use of newly opened archives in Russia and Germany, Norman Naimark reveals what happened during the Soviet occupation of eastern Germany. Adopting a comparative approach to t...(展开全部)